单词 | 制片人 |
释义 | 〔Sennett〕Canadian-born American filmmaker known for his slapstick motion pictures featuring the Keystone Kops.塞纳特,麦克:(1880?-1960) 加拿大裔美国制片人,以其拥有基斯顿·科普斯的喜剧短片闻名〔Crothers〕American playwright, director, and producer whose plays, includingSusan and God (1937), often concern women's issues. 克罗瑟斯,拉歇尔:(1878-1958) 美国剧作家、导演和制片人,他的戏剧包括《苏珊与上帝》 (1937年),其主题通常与妇女问题有关 〔Lucas〕American film director, producer, and screenwriter best known as a pioneer of special effects, especially in hisStar Wars motion-picture series, including Star Wars (1977), The Empire Strikes Back (1980), and The Return of the Jedi (1983). 卢卡斯,乔治:美国电影导演、制片人和编剧,以电影特效先驱著称,尤其是《星际大战》 电影系列,包括 《星际大战》 (1977年)、 《帝国反击》 (1980年)以及 《绝地武士归来》 (1983年) 〔Prince〕American stage director, producer, and writer whose productions includeDamn Yankees (1955) and Fiorello! (1959), for which he won a Pulitzer Prize. 普林斯,哈洛德.史密斯:美国舞台导演、制片人与作家,他的作品包括《洋基佬》 (1955)和 《费欧雷罗》 (1959),他因此获得普利兹奖 〔Clair〕French filmmaker. An early exponent of productions with sound, he directed the classicsSous les Toits de Paris (1929) and Le Million (1931). 克莱尔,莱恩:(1898-1981) 法国电影制片人。有声影片的最期支持者,导演了经典影片《在巴黎屋檐下》 (1929年)和 《最后一个百万富翁》 (1931年) 〔Susskind〕American talk-show host and television producer. He appeared onThe David Susskind Show, a popular late-night program. 萨斯金得,戴维:(1920-1987) 美国访谈节目主持人和电视制片人,他曾出现在一个受欢迎的午夜节目《大卫·萨斯金得节目》 中 〔producer〕One who finances and supervises the making and public presentation of a play, film, program, or similar work.制片人:为戏剧、电影、节目或类似作品的制作和公演提供资金并进行监督的人〔Laemmle〕German-born American film producer. He was a founder (1912) and later the head (1920-1936) of the Universal Pictures Corporation.莱姆勒,卡尔:(1867-1939) 德国裔美国制片人。他是国际电影公司的创始人(1912年),后来成为公司的首脑(1936年)〔Connelly〕American playwright, producer, and director who won a Pulitzer Prize forThe Green Pastures (1930), a play based on Southern Black interpretations of biblical stories. 康纳利,马库斯·库克:(1890-1980) 美国剧作家、制片人和导演,曾因导演《绿色牧场》 (1930年)而获普利策奖,这是一个基于南部黑人对圣经故事进行诠释的戏剧 〔larky〕"The filmmakers replace characterization with larky pop-culture references and associations"(David Denby)“制片人们用愚蠢的大众文化范畴来替代影片的人物创造”(戴维·登比)〔Chaplin〕British-born actor, director, and producer who gained fame for his role as a tramp in baggy trousers and a bowler hat. His productions includeThe Kid (1921), The Gold Rush (1925), and City Lights (1931). 卓别林,查尔斯·斯潘塞:(1889-1977) 英裔的电影演员、导演和制片人,以其所演的一个穿肥大裤子、带圆顶礼帽的流浪汉角色而闻名。其影片有《孩子》 (1921年)、 《淘金记》 (1925年)及 《城市之光》 (1931年) 〔Mayer〕Russian-born American motion-picture producer who formed a film company (1918) and merged with Samuel Goldwyn to form Metro-Goldwyn-Mayer (1924). His many productions includeBen Hur (1926) and Dinner at Eight (1933). 梅耶,路易斯·伯特:(1885-1957) 俄裔美国制片人,曾组建电影公司(1918年)并与萨缪尔·高德温合并而成米高梅电影公司(1924年)。他的电影作品包括《宾虚》 (1926年)和 《八点钟的晚宴》 (1933年) 〔MacKaye〕American actor, playwright, and producer who founded America's first school of drama (1873) and developed many theatrical innovations, such as overhead lighting. Of his sons,Percy (1875-1956) was a noted poet and playwright and Benton (1879-1975) was a regional planner who proposed the Appalachian Trail (1921). 麦克凯,(詹姆斯·莫里森)斯梯尔:(1842-1894) 美国演员、剧作家和制片人,1873年设立了美国第一所戏剧学校,发展了许多舞台创意,如头顶灯光等。他的儿子帕西 (1875-1956年)是著名诗人、剧作家而 本顿 (1879-1975年)是地区规划者,1921年提出了阿巴拉契亚之路计划 〔Abbott〕American theatrical producer and playwright who cowrote and directed many productions, includingFiorello!, which won a 1959 Pulitzer Prize. 艾博特,乔治:美国戏剧制片人和编剧,他与人合写并亲自执导了许多戏剧,包括获得1959年普利策奖的《费奥瑞罗!》 |
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