| 单词 | 新古典主义 |
| 释义 | 〔Sheraton〕British furniture designer known for his graceful neoclassical designs and his published manuals, includingThe Cabinet-Maker and Upholsterer's Drawing Book (1791-1794). 雪拉顿，托马斯：(1751-1806) 英国家具设计师，以其优美的新古典主义设计及其出版的手稿著名，包括《家具制造和装潢画册》 （1791-1794年） 〔neoclassicism〕A revival in literature in the late 17th and 18th centuries, characterized by a regard for the classical ideals of reason, form, and restraint.新古典主义：17、18世纪晚期的文学复兴，以尊重古代典型的推理形式和严谨文体为特征〔neoclassicism〕A revival of classical aesthetics and forms, especially:新古典主义：古典美学和格式的复兴，尤其是：〔Story〕American sculptor known for his neoclassical works, such asCleopatra (1858). 斯托里，威廉·韦特默：(1819-1895) 美国雕刻家，以其新古典主义作品闻名，如《克娄巴特拉》 （1858年） 〔Greenough〕American sculptor whose principal work is the neoclassical statue of George Washington at the Smithsonian Institution in Washington, D.C.格里诺，霍拉肖：(1805-1852) 美国雕刻家，其最重要的作品为存放在华盛顿特区史密森学会，有新古典主义风格的乔治·华盛顿的雕像〔imitate〕a building that evokes the neoclassic style of architecture without copying it. Tomimic is to make a close imitation, as of another's actions, speech, or mannerisms, often with an intent to ridicule: 一座再现新古典主义建筑风格但没有照搬的建筑物。 mimic 是对他人的动作，话语或特殊习惯等作相近的模仿， 经常是为了取笑： 〔Crawford〕American sculptor and noted exponent of neoclassicism. His works includeArmed Freedom atop the U.S. Capitol. 克劳福德，托马斯：(1814-1857) 美国雕刻家，是新古典主义的杰出代表。他的作品包括安置在美国国会大厦里的《武装自由》 铜像 〔neoclassicism〕A movement in music in the late 19th and early 20th centuries that sought to avoid subjective emotionalism and to return to the style of the pre-Romantic composers.新古典主义：19世纪末、20世纪初的音乐运动，企图避免主观感情主义而返回到前浪漫派作曲家的风格〔Adam〕Of, relating to, or characteristic of the neoclassic style of furniture and architecture originated by Robert and James Adam.亚当式的：由罗伯特·亚当和詹姆士·亚当开创的家具和建筑的新古典主义风格的，与这一风格有关的，具有这一风格特征的〔Adam〕British architect who led the neoclassical movement in England and is noted for his elegant interior designs and for collaborations with his brotherJames (1730-1794). 亚当，罗伯特：(1728-1792) 英国建筑师，领导英国的新古典主义运动，以其优雅的室内设计和同他兄弟詹姆斯 的合作而出名（1730-1794年） 〔Piranesi〕Italian architect and artist. His etchings of Rome and its ruins contributed to the revival of neoclassicism.皮拉内西，吉安巴蒂斯塔：(1720-1778) 意大利建筑师、艺术家，他的罗马及其废墟的版画为新古典主义复兴做出贡献〔Wedgwood〕British potter who improved the materials and processes of pottery. The wares from his factory (founded 1759) are among the finest examples of British earthenware and neoclassical vases.威基伍德，约西亚：(1730-1795) 英国陶瓷工匠，他改进了制陶的材料及过程。他的工厂（创建于1759年）制造的器皿是英国陶器与新古典主义花瓶的最好代表〔Powers〕American sculptor whose important works, all in the neoclassical style, includeGreek Slave (1843) and busts of American leaders. 鲍尔斯，希兰：(1805-1873) 美国雕塑家，他的重要作品都是新古典主义风格的，其中包括《希腊奴隶》 （1843年）以及美国领袖的半身像 〔Chippendale〕British cabinetmaker noted for his graceful neoclassical furniture, particularly chairs, which had wide influence on his contemporary artisans.奇彭代尔，托马斯：(1718-1779) 英国木工，以其制作的新古典主义风格的精美家具，尤其是椅子而著称。这些家具对他同时代的工匠有广泛影响〔Canova〕Italian sculptor who was an important figure in the development of neoclassicism.卡诺瓦，安东尼奥：(1757-1822) 意大利雕塑家，是发展新古典主义的一个重要人物〔renaissance〕Of or being the neoclassic style of architecture and decoration that originated in Italy in the 15th century.新古典主义建筑及装饰风格的：源于15世纪意大利的新古典主义建筑和装饰的风格的〔Thorvaldsen〕Danish sculptor. A leading neoclassicist, he executed sculptures of mythological characters, including Hebe (1806), and monuments, such as theLion of Lucerne (1819). 索万林，（阿尔贝特）贝特尔：(1768?-1844) 丹麦雕刻家，重要的新古典主义者。创作青春女神(1806年）等神话人物的雕刻品和《卢塞恩之狮》 （1819年）等纪念碑 〔neoclassicism〕A revival in the 18th and 19th centuries in architecture and art, especially in the decorative arts, characterized by order, symmetry, and simplicity of style.新古典主义：18、19世纪建筑和艺术复兴，尤其在装饰艺术方面，以风格的式样、匀称和质朴为特征〔unity〕One of the three principles of dramatic structure derived by French neoclassicists from Aristotle'sPoetics, stating that a drama should have but one plot, which should take place in a single day and be confined to a single locale. 三一律：戏剧结构三原则之一，由法国新古典主义者从亚里斯多德的诗论 得出，叙述为戏剧只应当有一个情节，此情节应当在一天发生，并限制在一场所 〔verge〕"the Neoclassicism . . . away from which they subsequently verged"(Hugh Honour)“他们随后偏离了…新古典主义”(休·昂纳) |
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