| 单词 | 绘画的 |
| 释义 | 〔allegory〕A literary, dramatic, or pictorial device in which characters and events stand for abstract ideas, principles, or forces, so that the literal sense has or suggests a parallel, deeper symbolic sense.寓言，讽喻：一种文学、戏剧或绘画的艺术手法，其中人物和事件代表抽象的观点、原则或支配力，从而使表面含义含有或表达一种对等的，但更深刻的象征意义〔scenery〕The painted backdrops on a theatrical stage.舞台布景：剧院舞台上绘画的背景〔tonality〕The scheme or interrelation of the tones in a painting.（绘画的）色调：油画中明暗色彩的安排或相互关系〔pastel〕The art or process of drawing with pastels.蜡笔绘法，彩色粉笔画法：用彩色粉笔绘画的工艺或过程〔pen〕An instrument for writing or drawing with ink or similar fluid, especially:笔：一种用墨水或类似液体进行书写或绘画的工具，尤其是：〔ancillary〕"For Degas, sculpture was never more than ancillary to his painting"(Herbert Read)“对于德加来说，雕刻不过是从属于绘画的一门艺术”(赫伯特·里德)〔distort〕 distort is to alter in shape, as by torsion or wrenching;the term also applies to verbal or pictorial misrepresentation and to alteration or perversion of the meaning of something: Distort 指通过扭转或扭伤使改变形状；该词也可用来指对言语或绘画的曲解和对某物意义歪曲： 〔landscape〕It would seem that in the case of the wordlandscape we have an example of nature imitating art, in so far as sense development is concerned.Landscape, first recorded in 1598, was borrowed as a painters' term from Dutch during the 16th century,when Dutch artists were on the verge of becoming masters of the landscape genre.The Dutch wordlandschap had earlier meant simply "region, tract of land,” but had acquired the artistic sense, which it brought over into English, of "a picture depicting scenery on land.”The fascinating thing isthat 34 years pass after the first recorded use oflandscape in English before the word is used of a view or vista of natural scenery. This delay suggests that people were first introduced to landscapes in paintingsand then saw landscapes in real life.从landscape 这个词，我们似乎能看到一个模仿自然艺术的例子， 单就这个词的意思发展来说。Landscape 首次记载于1598年， 它是在16世纪期间作为一个绘画术语从荷兰传过来的，当时的荷兰艺术家正在成为自然风景绘画的大师。荷兰语中landscape 这个词早期仅仅意味着“地区，一片地”， 但它后来传入英国时已经有了艺术上的含义“描绘陆上风景的绘画”。有趣的是，从landscape 这个词第一次见于英语文字到这个词表示自然景色的风光，经历了34年。 这一时间上的延迟暗示了人们首先是在绘画时接触自然，然后才是在现实生活中去欣赏风景〔impressionism〕Often Impressionism A theory or style of painting originating and developed in France during the 1870's, characterized by concentration on the immediate visual impression produced by a scene and by the use of unmixed primary colors and small strokes to simulate actual reflected light. 常作 Impressionism 印象主义：一种绘画的理论或风格，19世纪70年代在法国源起并迅速发展，其特点是注重场景产生的瞬间视觉印象，并通过运用未经掺杂基本色彩和细微的笔划描绘天然反射的光线〔Henri〕American painter whose realistic works aligned him with a group of painters, known as the Eight, or the Ashcan School, who decried the artificiality and sentimentality of American painting at the turn of the century.亨利，罗伯特：(1865-1929) 美国画家，他的现实主义作品使他与被称为“八人画派”或“垃圾箱画派”的画家们紧密合作，谴责本世纪初美国绘画的虚假性与伤感主义〔secco〕The art or an example of painting on dry plaster.干壁画法：在干塑料上绘画的艺术或实例〔crayon〕A stick of colored wax, charcoal, or chalk, used for drawing.用于绘画的有色蜡笔、炭笔或粉笔〔detail〕the fine detail of the painter's brushwork.画家绘画的精美细节〔picture〕from pictus [painted] [past participle of] pingere [to paint] * see peig- 源自 pictus [绘画的] pingere的过去分词 [绘画] * 参见 peig- 〔asserted〕the asserted value of a painting.一幅绘画的所谓价值〔Martini〕Italian painter whose work is representative of the Sienese Gothic style.马丁尼，西蒙尼：(1283?-1344) 意大利画家，锡耶纳的哥特式绘画的代表人物〔Orphism〕Often orphism A short-lived movement in early 20th-century painting, derived from cubism but marked by a lyrical style and the use of bold color. 常作 orphism 俄耳甫斯主义：一场20世纪早期绘画的短暂运动，源于立体主义但以抒情的风格和色彩采用大胆为特点 |
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