| 单词 | 透视 |
| 释义 | 〔plan〕In perspective rendering, one of several imaginary planes perpendicular to the line of vision between the viewer and the object being depicted.轮廓，平面图概略：在透视的图表中，与被描述的观察者和物体之间的视觉线垂直的虚构位面之一〔Stendhal〕French writer who influenced the development of the modern novel with his psychologically penetrating romances, such asThe Red and the Black (1830). 斯汤达：法国作家，他对心理透视的罗曼史影响了现代小说的发展，作品如《红与黑》 （1830年） 〔perspective〕Of, relating to, seen, or represented in perspective.透视法的，透视的：与透视法有关的或用透视来观察或表现的〔Chirico〕Italian painter whose works are characterized by deep shadow and perspective, barren landscapes, and elements of classical architecture and sculpture.基里科，乔吉奥·德：(1888-1978) 意大利画家，作品以很暗的阴影、透视的荒凉风光以及古典主义建筑和雕塑因素为特征〔depth〕The measurement or sense of distance from an observation point, such as linear perspective in painting.距离：从观察点看，对距离的测度或感觉（例如绘画中的线性透视）〔mannerism〕Mannerism An artistic style of the late 16th century characterized by distortion of elements such as scale and perspective. Mannerism 风格主义：16世纪欧洲的一种艺术风格，特点是比例和透视因素的扭曲〔perspective〕The appearance of objects in depth as perceived by normal binocular vision.全景，透视：如通过普通双筒望远镜看到的物体全貌〔Tiepolo〕Italian painter. With his command of perspective, light, color, and composition, he produced a large body of secular and ecclesiastical works, includingThe Banquet of Cleopatra and The Martyrdom of Saint Agatha (both 1750). 泰波罗，乔瓦尼·巴蒂斯特：(1696-1770) 意大利画家，他对透视、光线、色彩和构图有杰出的掌握，创作了一大批世俗和宗教作品，其中有《克利奥帕特拉的宴会》 和 《圣阿加莎的殉道》 （同为1750年） 〔perspective〕Middle English [science of optics] influenced by French perspective [perspective] alteration of Italian prospettiva from prospetto [new] from Latin prōspectus * see prospect 中古英语 [光学] 受 法语 perspective的影响 [透视] 意大利语 prospettiva的变化 源自 prospetto [新的] 源自 拉丁语 prōspectus * 参见 prospect |
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